The Yummiest Food Picturing Tips

Food the internal chemistry that wants you to eat it at the very instant it is made. And when you do not fulfill the desire of food i.e. eat it. It dries up and looks awful in the picture when you try to picture it. Also, your elders start to scream and force you to eat it immediately. And eventually you are forced to put down your camera and have to eat it. Here is the list of our food photography tips, which will relieve you from the stress of not having perfect food pictures. You just follow them and just wait to see the ideal food pictures. We have heard the stories of food photographers trying ‘out of this world techniques’ to make food look good. Spraying water from the shower and using shoe polish for the glossy look on the food. That they do not actually cook food but make it look like it is cooked by the international master chefs and has taken all of the time in this world to be made. Auspiciously, you will now know these tricks and tips, too. And you will be able to make the fast food look as good as it tastes. And frame the scrumptiousness of your mother’s food.
Settings:
The first and foremost thing you need to do is to get out of the automatic scene detection mode from your camera. Because, it sometimes detect the wrong scene and adjust settings, that you do not want. Get into the manual mode and adjust the settings which enhance the deliciousness. Choose the background which is in contrast with the food color and does not compliment the food color because it will make your food stand out. And also choose the background, which is plain and soft and most importantly is in contrast with the food color. The reason for the background being plain is that you should not have the clutter and dirt in the background because it will divert the viewer’s attention from the food. And most importantly, use of wide aperture will blur the background and only your food will be highlighted in the image.
Lighting:
Use of natural light will add to the beauty of the food. The ultimate place to take this picture is next to the window with the daylight falling into the food to show the details of the food from the inner side. The curtains should be in place to allow the light to disperse and diffuse without the light being reflected from the curtains. The diffused light falling onto the subject adds more to the prettiness of the food. The absence of natural light should not force you to use the flash of the camera or the bouncy flash because the use of flash fades the colors of the image and the picture is flattened.
White Balance:
White balance is the amount of light entering into the sensor which makes the subject look more whiter or darker. When there is no sunlight available, the use of flash adds the unwanted color to the picture. Usually this color is the bluish purple or purplish pink. This makes the food look dreadful and food seems to be not fresh and is taken out of the fridge to picture it
Accessories:
There are things which are as much important as your camera is while shooting. When you have the money to buy further accessories, go for the extra lens. The go to lens for food photography is the macro lens. I personally recommend the 50mm prime macro lens which does not zoom in but blurs the background more than the usual zooming lens. Also, if you still have the money, tripod is the first thing you should buy and why these are the great for your photography is that it does not fills the picture with the noise and the picture is clearer and sharper. The use of longer exposures will consider any movement in the picture as blurred. If you do not plan to buy the tripod then try testing this effect by placing the camera on some leveled surface or on the back of the drinks glass.
Frame Size:
Zoom in to the picture so that the only thing in the frame is the food or even the plate with some light colored edges. This will make the viewer dive into the taste and deliciousness of the food. The frame size should only have the fod and not the background to the extent that it over shadows the food.
Garnishing:
Look for the details around the food. The edges of the plates should be clean and should not have any of the leftovers in the frame. The smudges should be present in the picture. Use sauces to garnish and decorate the food so it looks as tasty as it is.
Shutter Speed:
Shutter speed is the one of the most important things which should be correctly adjusted for a ideal image. Shutter speed is the speed with which the lens close when you press the capture button. It allows the light to fall onto the lens and brighten up the image. It ranges from 1/120th to 1/30th of the second. Do not use the slower shutter speed. The longer the speed i.e. the slow shutter closes, the more light will enter the camera and the lens will detect the slightest of the motion in the frame and the image will be as a whole blurred and noisy.
These are the few of the tips which are usually adopted by the professional photographers which are like an illusion to the public which they portray that they use polish or oil to make food look more delicious.

Lemon Soaked Pound cake with fruit and Chantilly Cream

Lemon Soaked Pound cake:

Today i will let you know how to make scrumptious lemon doused pound cake.following are the fixings and headings are offered beneath to make lemon socked pound cake with products of the soil.

Fixings:

1/2 containers universally handy flour

1/2 teaspoon preparing powder

1/4 teaspoon salt

3/4 container unsalted, sweet margarine, diminished

1 container granulated sugar

3 huge eggs at room temperature

1 tablespoon hacked ground lemon peel (pizzazz)

1 ounce lemon juice

1/2 ounces buttermilk at room temperature Lemon Syrup

1/2 container granulated sugar

1/2 container lemon juice

1 ounce peach schnapps Fruit

1/3 container granulated sugar

1/4 container water

3 plums, set

2 peaches, set

2 nectarines, set

1/4 container lemon juice

1 half quart blackberries

1 half quart blueberries

Confectioners’ sugar for tidying

Chantilly Cream (formula takes after)

To make the cake:

how many ounces in a cup

Preheat the broiler to 350 degrees F. Spread, flour and line a 3 x 8-inch or comparative piece skillet with material paper.

Filter together the flour, heating powder and salt. Cream the spread and sugar together with an electric blender. Stop the blender and rub down the sides, then gradually start to beat once more. Include the eggs, each one in turn, beating each in totally between every expansion. Include the lemon pizzazz, beat again and rub down the bowl.

Blend the lemon juice with the buttermilk. Once more, moderate the blender and on the other hand include the flour blend and the fluid, beating totally between every expansion. Increment the speed to high and beat for an extra moment to get more air into the hitter. Wipe down the sides with a spatula and beat for 30 seconds.

Empty the hitter into the readied dish, filling it half full. Prepare 45 to a hour or until a wooden pick embedded in the inside tells the truth. While the cake is heating, set up the Lemon Syrup.

To make the Lemon Syrup:

Consolidate all fixings in a little pot and heat to the point of boiling over medium-high warmth. Diminish the warmth to stew and warmth until the sugar breaks down. Kill the warmth and let stand.

To wrap up:

At the point when the cake leaves the stove, utilize a wooden stick or comparable thing and jab gaps in the highest point of the cake. Sprinkle a large portion of the syrup over the cake. Let remain for 15 minutes, then turn out the cake on a sheet of plastic wrap and jab gaps in the base of the cake. Pour the rest of the syrup over the base of the cake. Wrap firmly with plastic wrap and chill for 1 to 2 hours.

To set up the organic product:

Join the sugar and water in a little pot and heat to the point of boiling. Cook for 1 minute, then cool. (This basic syrup can be refrigerated and kept inconclusively).

Cut the plums, peaches and nectarines. Hurl with the lemon juice and basic syrup and let them remain at room temperature.

To serve:

Unwrap the cake and cut no less than 1-inch thick, then cut every cut on the corner to corner into two wedges. Tidy the plates with powdered sugar. Put one wedge of cake in the focal point of every plate. Spoon on a portion of the marinated products of the soil berries over the natural product. Beat with a moment wedge of cake and spoon a portion of the juice from the organic product over the cake.

Include a bit of Chantilly Cream to each

1 glass overwhelming (whipping) cream

1/2 teaspoon vanilla concentrate

2 teaspoons confectioners’ sugar

Assembled all fixings in a blending dish and beat at fast until the cream holds its shape. Refrigerate until prepared to utilize. Presently you lemon drenched pound cake is prepared to eat.Enjoy!

Source : Aiorecipe

The Pros And Cons of Owning A Zoom Lens

In the old days of film photography, no one had any love for zoom lenses and that was because they just weren’t any good. In those days, everyone preferred the use of fast prime lenses. People typically selected  35mm as their wide angle lens, a 50mm as their standard lens, an 85mm as their portrait lens; lenses over 85mm were used for sports and wild life photography. Fast forward to modern times, where we are right in the thick of the evolution of digital photography and certain people still prefer fast prime lenses over zooms. What is different now is that zoom lenses are really great and no longer are they the evil step brother of primes.

There are even people who choose zooms over prime lenses. In this article we will give a sort of pro and cons of zooms vs primes and why you might want a zoom over a collection of prime lenses. This is not the bible on zoom lenses but it is information that we hope that you find useful. Let’s begin.

Pro: One Lens To Rule Them All:

Please forgive my nerdiness but I am a Lord of  The Rings Fan and I can’t help but to make a play on the saying,”one ring to rule them all.” In many ways, that saying is apropos to the discussion that we are having. It is relevant because with the right zoom lens, you can reduce the weight and bulk of your camera and lens kit. Instead of carrying around two to three lenses, you can carry just one really good zoom that covers all the distances and the depth of field that you enjoy shooting. You just might find that the perfect lens is a zoom because of what all it can do in one unit. Now with constant aperture zooms, you can have a really fast zoom lenses that has a very wide aperture at its longest focal length. Perhaps this is the right choice for you?

Con: It’s Too Long And It Weighs Your Camera Down:

We aren’t talking about super 200mm type zooms but even the average zoom is significantly larger than most prime lenses. Some will just say this is the price of having one lens to rule them all, and personally it is something that I could live with but it really depend on the camera I’m using. With some of the new mirror less digitals that have a large sensor (APS-C even full frame) some zooms see like they over power the camera and shift the weight really far forward. The solution just might be testing it for yourself and finding a zoom that fits the camera.

Pro: It Is Cheaper:

This is subjective and depends on the quality of lenses you buy. But you can save money by buying one zoom that is moderately fast and not investing in primes. It depends on fast the prime is, the brand, the lens coating and other factors. Sometimes the price might come out the same but the real savings is in weight and bulk.

Con: Primes Are Just Better:

Yes and No. It is very hard to beat the performance of a fast prime lens with a zoom, especially when you get into the longer focal lengths but truthfully this is all determined by how much money you have to spend on primes. If all that you can afford are entry level primes, then you might not be missing too much. If you are the type to own a 1.4 50mm or a 1.8 85mm, then you might not be happy with the average zoom.

Ultimately, it is all about compromise, utility and use. The compromise is that you will not have as large of an aperture with your longer focal lengths with a zoom, you will have a longer lens with a zoom but for some people one zoom gives them an overall smaller kit with not as many parts. I’m definitely a fan of using zooms for vacation shots, for saving money and bulk.

Develop your Skills by Attending Digital Photography Institutes

Develop your Skills:

Photography has become one of the most diverse fields around. From nature photography, to fashion photography, to family portraits, there are so many different aspects to specialize in.

Not only is photography diverse, but it has become extremely competitive as well. With the advent of digital photography, it is now more important than ever that an aspiring photographer is educated in the new software, technology, and techniques. Otherwise, how are they to compete within the field?

How does one gain the knowledge and expertise necessary to make it big? The first step is to find digital photography institutes located near you. While on the job experience is also an important aspect of a career in photography, attending digital photography institutes will allow you to learn the principles of photography, such as composition, theory, and production.

The Top Digital Photography Institutes:

It is sometimes difficult to find digital photography institutes in your area because the schools don’t receive very much publicity. If you are having difficulty locating digital photography institutes, then try finding a local art institute. An art institute will usually offer a course or major in digital photography. Three of the top-rated, highly praised digital photography institutes are: Brown College, Harrington College of Design, and The Arts institutes.

Located in Maine, Brown College is a fantastic digital photography institute. With accelerated programs, focused curriculum, and a devoted staff, Brown College is an excellent school to help you attain your goals in the photography field. They offer both a Bachelor and Bachelor of Science degree in the field of Digital Photography, allowing the student to take their education to the next level.

Since they were established seventy years ago, Harrington College of Design has prided themselves on hiring instructors with both teaching and real-world experience in over one hundred design-related fields. This allows them to provide their students with a wide range of curriculum and knowledge. Located in Chicago, Illinois, the school offers both an Associate Degree and an Associate of Fine Science Degree in the Digital photography field.

The Art Institutes are well known for their extensive curriculum, but their main advantage is their many locations throughout the United States. With multiple locations throughout the states of Pennsylvania, Florida, Georgia, California, North Carolina, Colorado, Texas, Indiana, Nevada, New York, Ohio, Arizona, Oregon, Washington, Virginia, Minnesota, Illinois, and Massachusetts, it is not difficult to find a campus near you.

Jump Start Your Career:

Whether you earn your degree or simply take a few classes, experience at any of these fine digital photography institutes will enhance your resume and make you more appealing to potential hirers.

Creative Ways To Use Your Digital Camera – Learn To Never Leave Home Without It

Most people buy a camera to take pictures – which is what it is for. Photographs of family members, portraits, landscapes, animals, magazines, newspapers, etc. are the main purposes, to either put on the Web, business purposes, or just family stuff. However, there are many other ways and purposes the camera can be used – and lots more fun.

One of the innovative ways the digital camera can be used is for many areas of education purposes. Lectures use them for discussion clarity, such as traveling to Italy or to see the inside of a chemical. Many digital photos are used for medical teaching, such as diagnosis and treatments.

Insurance companies use digital photography techniques for substantial savings. When their field inspectors go out for claim inspections, they take photos with their digital cameras. After this, they immediately download them into their laptop computers, tagging each photograph with text information, including the policy and claim numbers. When this is done, they send the information back through a wireless server, where the server confirms their receipt and closes down. Next case is on board for the inspectors within minutes. Statistics show that field inspectors who use digital cameras increase their caseload by 40%, with a savings of 70% in film and developing costs.

The possibility of taking digital photos of the home, trailer, or apartment, that is either for sale or one that has been damaged, is endless. The photo will reveal the actual need for repairs or replacements to the home insurance field agent, while also providing important locations of valves, location of utilities, or the general operations of things. If the front porch needs to be repaired, with estimates from carpenters, photos can be shot of the porch, while e-mailing them to several carpenters without leaving the home. You do not have to wait for them to visit you.

They can even e-mail the estimates back after looking at the pictures. When something major has occurred to the home – a hurricane or a flood – have the inspector arrive at the damaged property. Photographs can be taken by the inspector or by the homeowner of visible damaged areas, accessible items, heating systems, central air condition systems, plumbing, etc. upon which a hard copy of the inspection report will be handed over, corresponding to the matching photographs.

Try using the digital camera as a copier or scanner, with high-resolution camera for documents, important paper work, pictures, etc. If needed, use a tripod and lots of lighting to ensure the works will be clear and legible. To remember the address, or phone number on a billboard or yard sign, you can click a digital photo.

Using the digital camera for memory work, back ups, or proof and verification adds more value to the camera. It will also take time off insurance paper work for auto wrecks, home repair, or important paperwork if lost. It is simply a matter of getting into the habit of using it for personal benefits, instead of just leisure. The digital camera is not just another pretty face!

Cleaning You Camera Like A Pro – Digital Photography For Dummies

If you have been using your DSLR camera for some time, you may notice a difference in quality of the latest photos taken with it. This is because dust, dirt and sand can easily get into the camera and cover its sensor, and begin marring your beautiful photos. The inside of your DSLR camera is a veritable dust magnet. Each time you swap lenses, you are inviting dust particles inside your camera. The electronic charge inside the camera would stimulate dust particles to be attached to the mirror, body chamber and even the camera’s sensor. This article provides a comprehensive overview of cleaning you camera like a pro.

There is no better time to give them a clean than the spring time. A DSLR camera will mostly be used during summertime. Hence, it should be cleaned and ready for optimal functioning during such time. This is why it is important that you clean the camera before summer arrives. Hence, the best time to do it is spring time. When cleaning something like a delicate photographic kit, it is important that you remove the dirt or grit with an air blower or small brush. This is the first thing that should be done before using any cloth or tissue. It will help avoid dirt being trapped in the cloth, and scratch the surface of your camera. It is extremely important that you clean the camera in a safe and efficient manner since you have paid good money to purchase it. This is why it is important to maintain the camera in good condition in order to extend the lifespan of it. Here are some important steps that you should take when cleaning you camera like a pro.

If you are using compressed gas aerosols to clean the camera, it should be done with utmost care. They should be held in a perfectly upright position at all times. If not, the spray can contain propellant which can damage the lens. Also, the high pressure can be difficult to control at times. It is best to try a blower like Giottos Rocket-air blower or just use a soft brush for the cleaning process. Never put the cleaning solution on the lens directly. Always put it on the cleaning cloth or tissue. Make sure you use the cleaning solution sparingly. This will help prevent the excess liquid from getting into the camera lens, which may cause catastrophic results. If you have been on the beach or a sandy place, it is essential that you give a thorough clean up to your camera bag, too. If not, all your hard work in cleaning the camera will be wasted.

When you are cleaning the body of the camera, you need to have the lens attached to it. If not, dust and dirt particles can escape into the camera. First remove the dust or dirt from outside the camera and the lens. Use a soft brush for this purpose. Pay close attention to some of the inaccessible areas like the memory card slot where most of the dust can get accumulated. Once the outside of your camera is cleaned, turn your attention to the viewfinder. Remove the rubber eye-cup and brush off any dust in a gentle manner. Thereafter, use a soft cloth or tissue to carefully clean the glass of the viewfinder. Do not use the same cloth that you used to clean the lens and outside the camera.

Next, you need to switch to the screen. LCD screens are usually covered with dust. Use another piece of cloth or tissue to clean the LCD screen of the camera. You should also clean the screen protector. The lens filter should be cleaned thereafter. Use a brush or blower to remove the dirt and grit first. Then, use a small amount of lens cleaning fluid on a clean cloth or tissue to clean the lens. Gently wipe the surface of the lens or filter. Use a dry piece of cloth or tissue to wipe off any remaining residue from the lens.

Child Photography Tips That Make Sense

The techniques used in most other fields of photography do not always apply in child photography. The phrase “hold it” or “freeze” carry very little weight with children. They typically do as they please and if they please. Your assignment is to anticipate what a child may be about to do and capture it.

YOU can turn this into your advantage: Since children don’t always do what you want them to do, or what you expect them to do (actually they rarely do!). A solution often is: don’t expect them to become a cooperative little adult merely because you want to take their picture. Trick them – expect them to act like children. Don’t expect anything in particular. DO this and you can enter the fun and profitable field of child photography.

Know your stuff – Before you start booking sessions with children you must know exactly what you are capable of doing – what your camera is capable of doing – what all your equipment is capable of doing. Operating your camera and equipment must be second nature. Have your style of photography down pat, so when you start a session your mind is on the children). This takes your complete focus. This is not the time to be fiddling with you camera, or trying to figure out your light setup. Children take 100% of your concentration. For some children the entire shoot may only last 10 minutes – though you feel you have just run a marathon – so you have to be able to get in position , get the most cooperation from the child, get great shots. At times, this has to be done very quickly, BUT you cannot make the child feel they are being rushed.

Know your subjects – With children, you must expect the unexpected. At different ages children are capable of doing different things. The more you know what they typically do during some of these stages, the better images you are going to capture. And the happier you make your clients – which, in turn, makes you financially happy.

During a session photographing children you can get a variety of poses, expressions and antics. In no other field of photography are you liable to get such variety. The more you learn about little ones the better child photographer you will be. Children are not just children until they become adults -they come in all sizes. Between four months and four years you can place them into quite a few categories: 4-6 mos, 6-12 mos, 12-18 mos, 18-24 mos, and then you can lengthen out the age span. Awareness of these ages are needed to help you – the photographer – be aware of the limitations children (especially little ones) have.

Listening to the parent can help toward a successful session. You can learn specific things about their child that will make it or break it: Are they afraid of certain things or sounds? What are their special likes? Do they like books? How comfortable are they with a stranger approaching them? You do NOT want to spook a little one; the scheduled time may not allow for you to win their confidence.

Be ready with that camera when you first introduce something new -you do not get a second chance to get first reactions!

In most areas of photography a tripod is great for sharp photos. However with child photography you do not always have such a luxury. Once they reach the moving around stage, a tripod limits your ability to capture expressions and poses. Be mindful of your camera settings – keep that shutter speed fast enough to prevent blurring – and be ready to move quickly!

Child photography allows for close-up portraits as well as the child engaged in some activity – taking their socks off – in a box / tub with toys – climbing on or out of something. There is really no limit. As you continue to gain experience in working with children of various ages you will become more adept at learning what typically works with different age groups.

Child Photography Tips

Child photography is a challenge – but don’t worry sometime it turns into children photography. Mom has twins – big brother / little sister – maybe three little cousins. The list goes on! Imagine two sister and they both have triplets! Other than the obvious difficulty of getting multiple little subjects in any semblance of position, conducive to a memorable photo you need to bring everyone’s eyes to a central focal point. Tricky, but not impossible. Adding something NEW to catch their attention, at the moment you press the shutter, can work. Use this sparingly, because when child photography turns into children photography getting all their attention on the same thing is quite a feat. The beauty of digital is no limits to the exposures you take and you can take a quick peek on the spot.

Parents can be quite helpful during the photo session. Children often are more confident with a parent nearby. Also, do not overlook the value of older brother and sisters. They have a relationship with the little one like no one else! Often they can get their little brother or sister to giggle, make faces, hold things and a host of other things that may be exactly what you need. Plus, you have the opportunity of including more subjects in the photos, which translates into a larger photo package for the customer!

As you advance in child photography you will want a lighting setup and a backdrop. A three light setup – consisting of a main light fill light and a background light – is ideal. However if you are just beginning you can do great photography with a lot less. Experiment, and add as needed. If you are using a backdrop keep the child at least four feet from the backdrop (if possible). This eliminates shadows and prevents the backdrop from competing with your subject.

Take your act on the road – You can do child photography at the park – on the beach – in the backyard, just as easily as in a studio or home – maybe more so – and nature will take care of the lighting for you, as long as you select open shade.